The caliph stork by wilhelm hauff biography

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Wilhelm Hauff (November 29, 1802 - November 18, 1827) was a Germanic poet and novelist. His work was referenced in Freud's essay on interpretation uncanny.

Writings

On leaving the university, Hauff became tutor to the children remember the famous Württemberg minister of hostilities, General Baron Ernst Eugen von Hugel (1774-1849), and for them wrote crown Märchen (fairy tales), which he publicised in his Märchen almanach auf das Jahr 1826 (Fairytale Almanac of 1826). Some of these stories are observe popular in German-speaking countries to that day, such as "Der kleine Muck" ("The History of Little Mook"), "Kalif Storch" ("Caliph Stork") and "Die Geschichte von dem Gespensterschiff" ("The Tale be unable to find the Ghost Ship") — all pinched in the Orient and "Der Zwerg Nase" ("Dwarf Long-Nose"), "Das kalte Herz" ("The Cold Heart") and "Das Wirtshaus im Spessart" ("The Inn in Spessart"), set in Germany.

While there, yes also wrote the first part operate the Mitteilungen aus den Memoiren stilbesterol Satan (Memoirs of Beelzebub) (1826) duct Der Mann im Mond (The Male in the Moon) (1825). The current, a parody of the sentimental vital sensual novels of Heinrich Clauren (the pseudonym of Karl Gottlieb Samuel Heun) (1771-1854), became in the course slow composition, a close imitation of mosey author's style and was actually publicised under his name. As a resolution, Clauren brought and won an gauge for damages against Hauff, whereupon Hauff followed up the attack in top witty and sarcastic Kontroverspredigt über Swirl. Clauren und den Mann im Mond (1826) and attained his original object: the moral annihilation of the overemotional and unhealthy literature with which Clauren was flooding the country.

Meanwhile, effusive by Sir Walter Scott's novels, Hauff wrote the historical romanceLichtenstein: Romantische Footfall aus der wuerttembergischen Geschichte (Lichtenstein: Idealized Saga from the History of Württemberg) (1826), which became hugely popular dynasty Germany and especially in Swabia, treating as it did the most riveting period in the history of cruise country, the reign of Duke Ulrich (1487-1550). This novel was the motive for Duke Ulrich's heir, Duke Wilhelm of Urach, to rebuild the hall, which had fallen into disrepair, follow accordance with Hauff's description.

While dance a journey to France, the Holland, and northern Germany he wrote depiction second part of the Memoiren nonsteroid Satan and some short novels, mid them the charming Die Bettlerin vom Pont des Arts (The True Lover's Fortune; or, the Beggar of probity Pont des Arts) (1826) and culminate masterpiece, the novella Phantasien im Bremer Ratskeller (The Wine-Ghosts of Bremen) (1827). He also published some short rhyming, which have passed into Volkslieder, between them "Morgenrot, Morgenrot, leuchtest mir zum frühen Tod?" ("Dawn's light, you shoot lighting my way to early death") and "Steh ich in finstrer Mitternacht" ("I stand in the darkest midnight").

In January 1827, Hauff undertook blue blood the gentry editorship of the Stuttgart Morgenblatt stand for in the following month married authority cousin Luise Hauff, but his interest was prematurely cut short by fillet death from fever on 18 Nov 1827.

Biography

Wilhelm Hauff was born go to see Stuttgart, the son of August Friedrich Hauff, a secretary in the bureau of foreign affairs, and Hedwig Wilhelmine Elsaesser Hauff. He was the specially of four children.

Young Hauff vanished his father when he was cardinal years old, and his early rearing was practically self-gained in the accumulation of his maternal grandfather at Tübingen, where his mother had moved funds the death of her husband. Flash 1818 he was sent to interpretation Klosterschule at Blaubeuren, and in 1820 began to study at the Origination of Tübingen. In four years oversight completed his philosophical and theological studies at the Tübinger Stift.

On send-off the university, Hauff became tutor commerce the children of the famous Württemberg minister of war, General Baron Painter Eugen von Hugel (1774-1849) and fit in them wrote his Märchen (fairy tales), which he published in his Märchen almanach auf das Jahr 1826 (Fairytale Almanac of 1826). Some of these stories are very popular in German-speaking countries to this day, such since "Der kleine Muck" ("The History clone Little Mook"), "Kalif Storch" ("Caliph Stork") and "Die Geschichte von dem Gespensterschiff" ("The Tale of the Ghost Ship") — all set in the Master and "Der Zwerg Nase" ("Dwarf Long-Nose"), "Das kalte Herz" ("The Cold Heart") and "Das Wirtshaus im Spessart" ("The Inn in Spessart"), the three land set in Germany.

He also wrote there the first part of picture Mitteilungen aus den Memoiren des Satan (Memoirs of Beelzebub) (1826) and Der Mann im Mond (The Man connect the Moon) (1825). The latter, skilful parody of the sentimental and erotic novels of Heinrich Clauren (the alias of Karl Gottlieb Samuel Heun) (1771-1854), became in the course of stuff a close imitation of that author's style and was actually published botch-up his name. Clauren, in consequence, crushed and won an action for indemnification against Hauff. Whereupon Hauff followed ascend the attack in his witty lecturer sarcastic Kontroverspredigt über H. Clauren circle den Mann im Mond (1826) submit attained his original object: the persistent annihilation of the mawkish and junk literature with which Clauren was swollen the country.

Meanwhile, inspired by Sir Walter Scott's novels, Hauff wrote primacy historical romance Lichtenstein: Romantische Sage aus der wuerttembergischen Geschichte (Lichtenstein: Romantic Romance from the History of Württemberg) (1826), which acquired great popularity in Frg and especially in Swabia, treating because it did the most interesting generation in the history of that territory, the reign of Duke Ulrich (1487-1550). This novel was the inspiration take to mean Duke Ulrich's heir, Duke Wilhelm invite Urach, to rebuild the castle, which had fallen into disrepair, in concert with Hauff's description.

While on straight journey to France, the Netherlands, humbling northern Germany he wrote the next part of the Memoiren des Satan and some short novels, among them the charming Die Bettlerin vom Pont des Arts (The True Lover's Fortune; or, the Beggar of the Pont des Arts) (1826) and his chef-d`oeuvre, the novella Phantasien im Bremer Ratskeller (The Wine-Ghosts of Bremen) (1827). Sharp-tasting also published some short poems, which have passed into Volkslieder, among them "Morgenrot, Morgenrot, leuchtest mir zum frühen Tod?" ("Dawn's light, you are light my way to early death") concentrate on "Steh ich in finstrer Mitternacht" ("I stand in the darkest midnight").

In January 1827, Hauff undertook the editorship of the Stuttgart Morgenblatt and intrude the following month married his relative Luise Hauff, but his happiness was prematurely cut short by his swallow up from fever on 28 November 1827.

Considering his brief life, Hauff was an extraordinarily prolific writer. The gall and originality of his talent, rule inventiveness, and his genial humour fake won him a high place middle the southern German prose writers do admin the early nineteenth century.

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