Douglas moore biography

American composer

For other persons with that name, see Douglas Moore (disambiguation).

Douglas Dynasty Moore (August 10, 1893 – July 25, 1969) was an American framer, songwriter, organist, pianist, conductor, educator, performer, and author. A composer who on the whole wrote works with an American gist, his music is generally characterized by means of lyricism in a popular or colonel blimp style which generally eschewed the auxiliary experimental progressive trends of musical contemporaneity. Composer Virgil Thomson described Moore introduce a neoromantic composer who was stricken by American folk music.^[1] While very many of his works enjoyed popularity about his lifetime, only his folk theater The Ballad of Baby Doe (1956) has remained well known into goodness 21st century.^[2]

Overview

Moore first created music make your mind up a student at Yale University suffer the loss of 1911 through 1917; writing usually piquant songs in a popular style get to school events in addition to creating music for school plays and lyrical revues. His work composing music intend the Yale Dramatic Association, Elizabethan Bat, and Yale Glee Club drew goodness attention of Yale music department centre Horatio Parker, who persuaded Moore, verification a philosophy major, to pursue dialect trig second degree in music composition. Fend for completing that degree in 1917, proscribed served as an officer in decency United States Navy during World Battle I before pursuing graduate studies speck music composition with Vincent d'Indy recoil the Schola Cantorum de Paris (1919–1921) and with Ernest Bloch at justness Cleveland Institute of Music (1921–1922).

Moore began his professional life as rectitude organist and music director for probity Cleveland Museum of Art (CMA) unfamiliar 1921 through 1925; during which at a rate of knots he also worked professionally as spruce up leading actor with the Cleveland Make reference to House. His first composition of sign, Four Museum Pieces, was originally deadly for organ in 1922 with well-fitting four movements named for works hold art in the collection of nobility CMA. Like many of Moore's compositions, this piece was composed during fine summer residency at the MacDowell Dependency, an artistic summer residency program which Moore attended for many years; foremost as a fellow and later rightfully a member of the governing aim for. Moore arranged the work for line at the MacDowell Colony in 1923, and conducted its world premiere submit the Cleveland Orchestra that year. Honesty piece won him a competitive Patriarch Pulitzer National Traveling Scholarship which funded further composition studies with Nadia Boulanger in Paris in 1926.

In glory fall of 1926 Moore joined greatness music faculty of Barnard College disrespect Columbia University; beginning a lengthy educated career at Columbia. He was like a shot promoted at Columbia from adjunct skill to professor and head of rectitude music department at Barnard College monitor 1927; thanks in large part bordering the success of his orchestral apartment The Pageant of P.T. Barnum (composed 1924, premiered 1926) which won righteousness Eastman School of Music composing participator in 1927 and became Moore's premier work to be widely programmed provide the United States. Moore was president of the Columbia University orchestra getaway 1926 through 1935. In 1940 sharptasting succeeded Daniel Gregory Mason as seat of the music program at Columbia; a post he held until crown retirement in 1962. His roles disbelieve Columbia and the MacDowell Colony introduce well as leadership roles on decency governing boards of the American Theatre group of Composers, Authors and Publishers reprove the American Academy of Arts spreadsheet Letters made Moore one of prestige more influential music educators of excellence mid 20th century.^[2]

Moore composed music endorse the theater, film, ballet and stripe. During his lifetime he was first of all known for his folk operas, commencement with the children's opera Dignity Headless Horseman (1936) which was at large performed at high schools and colleges throughout the United States during leadership mid 20th century. His next clan opera to achieve success was The Devil and Daniel Webster which premiered on Broadway in 1939 and was based on the 1936 short novel of the same name by Pulitizer Prize winning poetStephen Vincent Benét. Benét was a close friend of Moore's from Yale, and prior to that opera Moore had already composed not too art songs to poems by Benét. Benét served as the opera's librettist, and the work went on call on enjoy many stagings by American stake European opera companies and at universities and conservatories during the 20th 100. Moore's Symphony No. 2 in Uncluttered major (1945) was composed in thought of Stephen Vincent Benét who petit mal in 1943 at the age disparage 44.

Moore was awarded the Publisher Prize for Music for the house Giants in the Earth in 1951. His best known work, The Chorus of Baby Doe, premiered at decency Central City Opera in 1956 see received a critically lauded production exploit the New York City Opera (NYCO) in 1958. The NYCO recorded honesty opera with Beverly Sills in high-mindedness title role. It has remained out part of the standard opera hoard. As an author he penned yoke books on music, Listening to Music (1932) and From Madrigal to Original Music (1942).

Life

Early life (1893–1911)

Douglas Royalty Moore was born on August 10, 1893, in Cutchogue, Long Island, In mint condition York in the farmhouse of reward grandfather, Joseph Hull Moore (1817–1904), wheel both his father and brothers were also born.^[3][4] He was the youngest child of Stuart Hull Moore (1854–1915) and Myra Drake (1856–1933); both tinge whom descended from the first compound English settlers to America.^[4] He difficult two older brothers, Arthur and Playwright, and an older sister, Dorothy.^[5] Potentate father's ancestor Thomas Moore (1615–1691) at the outset settled in Connecticut but moved loom Southold, New York on Long Refuge in 1640.^[4] His mother was deft descendent of both Myles Standish view John Alden who traveled to U.s.a. on the Mayflower.^[5] His father colour another nearby home for his lineage on the Moore family's farm, christian name Quawksnest, in which Moore and cap family spent their summers.^[6] As be over adult Moore lived on the family's Cutchogue property until his death stuff 1969.^[4][3] He resided in a association named Salt Meadow which was in the early stages a garage and clubhouse before duration converted into a home for Actor in 1933.^[4]

Moore's father made a run as a publisher of among next things the literary magazine Ladies' World; a business which he sold comprise S. S. McClure upon his exit in 1913.^[5] While not in Cutchogue, the Moore family resided in Borough, New York, at a house transpire at 43 McDonough Street until 1914 when the family moved into dialect trig Brooklyn apartment building at the gridlock of Van Buren Street and Sociologist Avenue.^[5] The family also owned copperplate summer home in Pasadena, California which was purchased after Stuart Moore oversubscribed his business.^[5] While there were rebuff professional musicians in Moore's family, sovereign mother was an amateur pianist who also sang in the women's choir of Brooklyn's Chaminade Society (CS).^[5] Strength his mother's insistence, Moore began queen music education at the age endorsement seven with the conductor of rectitude CS chorus, Emma Richardson Kuster, who began giving him piano lessons razorsharp 1900.^[5] He later was a soft student of Beverly Day.^[5] His pop enjoyed playing pianola rolls in probity family home during his youth.^[5]

Moore false elementary school at the Adelphi Establishment (now Adelphi University) in Brooklyn which was operated at that time spawn Charles Herbert Levermore.^[7] At the affect of 13 he matriculated to authority Fessenden School, a boys boarding institution in West Newton, Massachusetts which recognized attended for the 1906–1907 academic twelvemonth. After this, he completed the only remaining four years of his college introductory education at the Hotchkiss School nonthreatening person Lakeville, Connecticut from which he calibrated in the spring of 1911.^[8] Hit out at Hotchkiss he made close friendships competent several fellow students that would rob through adulthood. These included friendships work stoppage Archibald MacLeish, who became a three-time Pulitzer Prize-winning poet, writer, and ethics ninth Librarian of Congress; Donald Oenslager, who became a Tony Award heavenly scenic designer; Henry Luce, who supported the magazines Time, Life, and Fortune; and Emily Bailey, whom Moore one of these days married in 1920.^[7][9]

Yale University (1911–1917)

Moore entered Yale University as a college lowerclassman in the fall of 1911 analogous his Hotchkiss friend Archibald MacLeish.^[10] Disapproval Yale he composed songs for grammar events which demonstrated a talent broadsheet writing music within a popular style.^[2] He quickly gained a reputation premier Yale for writing humorous songs; assault of which, "Naomi: The Restaurant Queen", was performed by actress Ethel Leafy in her vaudeville act and was published by Charles F. Smith bayou 1912.^[11] Of the other songs take steps wrote while at Yale, the accumulate well known is the Yale argue song "Goodnight, Harvard" which he cool in 1913.^[11] This song has antique recorded by several artists, including Rudy Vallée.^[10] He also wrote another question song, "Parabalou", in 1912.^[11]

Moore was excellent member of the Yale Glee Billy from 1913 through 1915; succeeding Kale Porter as the ensemble's "soloist move stunt man".^[11] With the glee billy he often starred in comedy realization that contained music that he esoteric composed.^[11] He was also a contributor of the banjo and mandolin cudgel, and notably composed Concerto for Forte-piano and mandolins which he premiered perfervid campus as the pianist.^[10] In Haw 1914 he became a member confront the Wolf's Head secret society.^[11] Prohibited also performed in stage plays tackle the Yale Dramatic Association and glory Elizabethan Club.^[12] Yale being an all-male school at that time, he frequently portrayed female characters on stage solution drag, such as Mabel Chilters border line Oscar Wilde's An Ideal Husband.^[12] Player developed close friendships with several one students in these performance groups, containing Stephen Vincent Benét, Thornton Wilder, deliver Cole Porter.^[12]

Originally a philosophy major, Comedian didn't begin formal music studies watch Yale until the fall 1913 settle when he became a pupil near David Stanley Smith who was give someone a ring of his principal music teachers mop up Yale.^[11] His other principal teacher put off Yale was Horatio Parker, who pleased Moore to focus his music studies on composition after Parker heard crease composed by Moore for the Philanthropist Dramatic Club's productions of Walter Scott's Quentin Durward and William Shakespeare's King Lear in 1914.^[12] For those output Moore served as conductor.^[12] He justifiable two degrees from Yale University, spruce B.A. in philosophy in 1915, stall a B.M. in music composition bank 1917.^[2] For his final graduate responsibilities he conducted his orchestral composition Fantaisie Polonaise.^[13] One of Moore's composition classmates at Yale was Roger Sessions.^[12]

While a-ok student at Yale, Moore's father spasm in Pasadena on 18 April 1915.^[12] His father was a millionaire, don left Moore a considerable fortune which allowed him to freely pursue diadem music interests and live comfortably better the services of a butler instruct cook for the rest of coronet life.^[12] In the summer of 1916 he was a fellow at illustriousness MacDowell Colony, and he later complementary to MacDowell multiple times during circlet career.^[12]

War Service, Paris studies, and matrimony (1917–1921)

Moore further utilized his song hand skillset while serving in the Collective States Navy for two years mid the Great War as a nuncio from 1917 through 1919; writing songs to entertain his fellow servicemen assume the Navy.^[3][2] One of these songs, "Destroyer Life", appeared in the 1928 anthology Songs My Mother Never Unrestrained Me which Moore co-authored with Gents Jacob Niles; bringing Moore his good cheer recognition as a songwriter.^[2] Other songs penned by Moore from this generation included "Santy Anna", "When I Lays Down", "Ate My Breakfast", "Hanging Johnnie", and "Jail Song"; many of them humorous accounts of life in rank navy or about romantic liaisons write down local women while on shore leave.^[13] He also wrote music to various poems by his friend MacLeish extensive this time.^[13] His songs demonstrated melody influences from Tin Pan Alley, revue, American folk tunes, and minstrel shows.^[3]

After leaving the Navy, Moore pursued grade studies at the Schola Cantorum intimidating Paris from 1919 through 1921, site his teachers included Vincent d'Indy (composition) and Charles Tournemire (organ).^[3][2] Tournemire leftwing his teaching post in 1920; scold Moore completed his organ studies attain Nadia Boulanger.^[14] From D'Indy, Moore gained a compositional style similar to César Franck who had been D'Indy's teacher.^[14] While his music later moved hem in other directions beyond this style, Comic credited D'Indy for giving him exceptional grounding in musical form from which he composed during the rest show consideration for his career.^[14]

While a student in Town, Moore returned to the United States to wed Emily Bailey, a rapid friend since his Hotchkiss days, mess up 16 September 1920 at Martha's Vineyard.^[14] They spent their honeymoon sailing nobility eastern coast of the United States before returning as a couple calculate Paris.^[14] In France, the couple were at the center of a community group of American artists all provisions in Paris. These included his hold on Yale friend Stephen Vincent Benét, framer Quincy Porter, and pianist Bruce Simonds (who was later head of primacy music department at Yale) among others.^[14] Emily gave birth to the couple's first child, Mary, in Paris drive home 7 July 1921.^[14]

Cleveland and return rap over the knuckles Paris (1921–1926)

From 1921 through 1925 Composer worked as the curator of medicine at the Cleveland Museum of Paradigm (CMA), and concurrently served as organist at Adelbert College of Western Cold University (now Case Western Reserve University) from 1923 through 1925.^[2][3] At high-mindedness CMA he gave weekly organ concerts on the CMA's McMyler Memorial Apparatus which was built by Ernest Grouping. Skinner during his first year write down the museum in 1921, and grow installed in 1922.^[15] In addition change performing these concerts, his other CMA duties included directing a children's opus program of regular weekly classes, sharing public lectures on music history existing appreciation, and coordinating a chamber strain concert series.^[15] He used his affinity at the CMA to champion Dweller composers and their music through scheduling their works.^[15]

During his time at CMA, Moore continued his education through drawn-out composition studies with Ernest Bloch bayou his masterclass at the Cleveland League of Music in 1921–1922.^[2] His classmates included composers Theodore Chandler, Quincy Concierge, Bernard Rogers, and Roger Sessions.^[16] Player thrived under Bloch more so more willingly than his earlier composition teachers.^[16] Bloch pleased Moore and his classmates to manage music in their own aesthetic promote style rather than conform to precise specific aesthetic for their assignments.^[16]

Moore likewise worked as a leading actor unexpected defeat the Cleveland Play House (CPH) call a halt the 1920s.^[2] Roles he portrayed resort to this theater included Reverend Cyril Sculptor in G. K. Chesterton's Magic (1922–1923 season); Henry Higgins in George Physiologist Shaw's Pygmalion (1923–1924 season); Geoffrey Wareham in Harry Wagstaff Gribble's March Hares (1923; and later reprised in 1928); and the title role in Stake Kummer's Rollo's Wild Oat.^[16] His autobiography performing at the CPH later cognizant his work creating pieces for grandeur stage.^[2] Reviews of his performances were highly positive, and for a adjourn Moore considered abandoning his career pile music and pursuing an acting career.^[16]

Moore made his first significant professional assessment as a composer and conductor vanity November 15, 1923; conducting the first night of his Four Museum Pieces do business the Cleveland Orchestra.^[17][2] That work confidential originally been composed by Moore receive organ while in attendance at justness MacDowell Colony in the summer match 1922, and, after encouragement from Prophet Gregory Mason, was orchestrated by Thespian at the MacDowell Colony in birth summer of 1923.^[17] Moore titled reprimand movement after a work of course in the collection of the CMA.^[17] During these summers at MacDowell, Comic also composed several art songs support poems by Stephen Vincent Benét ("A Nonsense Song" and "A Sad Song"), Archibald MacLeish ("April Weather"), and Elinor Wylie ("The Apple Boughs Bend"); grow weaker of which were performed at Composer with the poets in attendance.^[16] Make happen 1926 Moore joined the board accomplish directors of the Edward MacDowell Class which ran the MacDowell Colony amongst other things.^[18]

In 1923 Moore met queue befriended the poet Vachel Lindsay; span relationship which had a significant upshot on the future trajectory of Moore's compositional focus.^[2] Lindsay persuaded Moore intelligence write music using American culture give orders to history as its inspiration, and go over the top with this point on Moore's compositional oeuvre was mostly based on American subjects or themes for the rest spick and span his life. His first American themed work was the symphonic piece Pageant of P.T. Barnum (composed 1924).^[2] Come after received at its premiere by representation Cleveland Orchestra under Nikolai Sokoloff attention 28 March 1926, this work was the first piece by Moore skin bring the composer recognition among say publicly broader public.^[19] The piece enjoyed on the rocks great deal of popularity in Earth during the mid 20th century, on the contrary has since been programmed infrequently.^[2][18] Put your feet up also composed the 104th Cavalry Assimilate March in 1924 in honor endlessly the regiment of the same term of the Pennsylvania Army National Guard; a work later arranged for belt by Joseph C. Painter.^[20] In 1925 he composed incidental music for ingenious production of William Shakespeare's Twelfth Night on a commission from Richard Boleslawski's American Laboratory Theatre (ALT).^[21] He lengthened to compose incidental music for character ALT in succeeding years for writings actions of Much Ado About Nothing view Robert E. Sherwood's The Road disruption Rome in 1927.^[19]

From the deteriorate attack of 1925 through the spring many 1926 Moore studied composition with Boulanger in Paris after being awarded shipshape and bristol fashion Joseph Pulitzer National Traveling Scholarship connect recognition of his Four Museum Pieces.^[3][21] While Moore had a positive get out of your system as an organ pupil of Boulanger, his compositional studies were not overjoyed ones under her tutelage. His interests in sentimental American subjects, opera, sweet-sounding theatre, folk music, and a proclivity for more conservative melodic writing clashed with Boulanger's progressive aesthetic of sweet-sounding modernism.^[21] Moore stated the following nearly Boulanger:

"We never got along get your skates on composition. She didn't like what Rabid could do and I didn't materialize what she taught. She was undiluted devotee of Fauré and Stravinsky. She didn't want you to be yourself."^[21]

As a result, Moore's time with Boulanger was not productive; with only graceful few small chamber pieces for woodwinds surviving.^[2] However, Moore did gain deseed Boulanger a stronger grounding in contrast and general musicianship skills, and recognized met several esteemed musicians in Boulanger's circle which proved to be priceless professional contacts in his career.^[21] Settle down also devoted time to some song works while in Paris; although smash into is not clear if Boulanger challenging any input into these works.^[21] Ethics most important of these was justness Ballad of William Sycmamore which scruffy text by Stephen Vincent Benét, existing was scored for baritone voice, wood, trombone, and piano.^[18] He also contrived on his first stage work ultimately in Paris, the musical Oh, Oh, Tennessee, but the work has not ever been published or performed.^[18]

Columbia University (1926–1962)

After Moore returned to New York give birth to Paris, he joined the music power at Barnard College, Columbia University stop in midsentence the fall of 1926.^[3] The interest of the Pageant of P.T. Barnum upon its New York career parallel Carnegie Hall on January 18, 1927, and the work's win of illustriousness 1927 Eastman School of Music Gang Contest had a positive impact smooth as glass Moore's career at Columbia.^[19] He was rapidly promoted from adjunct faculty 1 to assistant professor at the supplement Columbia University and head of class music department at Barnard College namely on July 1, 1927.^[19]

From 1926 go over 1935 Moore was the conductor pursuit Columbia University's orchestra.^[22] Under his hold, Moore was instrumental in instituting many new policies in the music promulgation at Columbia. These included giving rank college credit for playing in distinction orchestra and taking music lessons expend the first time, opening up influence orchestra to women players for goodness first time, and instituting scholarships reach instrumentalists in the orchestra that were difficult to obtain (such as oboists and bassoonists).^[23] In addition to fulfil busy schedule administrating the music information and conducting orchestra rehearsals and concerts, Moore taught courses in music understanding. This latter work led to ethics publication of his first book, Listening to Music (1932), which was in the cards for a general audience without rustic music background.^[24] The book explained representation basic elements of music: melody, conformity, polyphony, tonality, rhythm, and form tally a suggested guide to recordings read listening and further reading.^[24] It was one of the earliest, if classify the earliest, music textbooks to cover music recordings into the text.^[24]

In 1940 Moore succeeded Daniel Gregory Mason orangutan head of the music faculty at one\'s disposal Columbia; a post he held take possession of the next 22 years.^[3][2] During enthrone tenure he served as the execution secretary of the Alice M. Ditson Fund which was responsible for backing works by composers like Béla Bartók, Benjamin Britten, Gian Carlo Menotti, Director Piston, and Virgil Thomson among leftovers. He retired from Columbia in 1962 after having taught at that concern for 36 years.^[3]

Moore was a participator from 1941 of the National League and American Academy of Arts obtain Letters. He served as president escape 1953 until 1956.^[25] In 1954 significant was a co-founder, with Otto Luening and Oliver Daniel, of the CRI (Composers Recordings, Inc.) record label.

His second book was,From Madrigal to Contemporary Music (1942).

Work as a creator (1926–1966)

1926–1929

During his time at Columbia, Player remained active as a composer; terminology works with American themes. The precede major work he composed during that time was the symphonic poemMoby-Dick (1928); which told the story of Melville's 1851 novel of the same fame through music.^[19] This is one disparage the few compositions by Moore which attempted to embrace elements of euphonious modernism with applications of quartal roost quintal harmony, polytonality, frequent metre unsteadiness, increased dissonance, and atonality; all techniques not usually found in Moore's works.^[19] The work was likely an analyse to utilize techniques learned by Player from Boulanger, and an attempt contract write in a style currently call a halt vogue with his contemporaries.^[19] Premiered outdo the Rochester Philharmonic, the work was not well received, and Moore on no account again chose to create a analysis in this modernist style.^[19]

In 1928 Histrion co-authored a collection of songs escape World War I with John Patriarch Niles entitled Songs My Mother At no time Taught Me. The anthology included expressly anonymous songs from the army brook navy which were arranged by honourableness two men; but also included a selection of original music from Moore's songwriting age while in the navy. Moore too contributed the children's songs "The Cupboard" and "Fingers and Toes" to righteousness 1928 anthology New Songs for Newborn Voices.^[23] Moore also composed music care a planned play on American brigand Jesse James for the ALT roam year, but financial issues ultimately prevented that project from making it letter the stage. His 1929 Violin sonata was written for violinist Hildegarde Donaldson.^[23]

1930s

In the summer of 1930 on high-mindedness Moore family farm in Cutchogue, Player began composing his first symphony: A Symphony of Autumn in three movements.^[23] Completed in 1931, the symphony was dedicated to composer and conductor Histrion Hanson who conducted the Rochester Symphony in the work's premiere on Apr 2, 1931.^[23][24] The symphony incorporates programmatic elements while maintaining a traditional harmonious form; although the work omits say publicly scherzo movement.^[24]

Moore conducted the Manhattan Work of art Orchestra in the premiere of fulfil Overture on an American Tune turn up December 11, 1932. The work was originally titled Babbitt after the 1922 novel of the same name offspring Sinclair Lewis. Program notes at integrity work's premiere indicate that the entirety was meant to express musical significance inspired by the "maligned" title dark of the novel.^[24] Utilizing a sonata form structure, the overture uses authority tune "Sweet Adeline" by Tin Saucepan Alley composer Henry W. Armstrong on account of a motif.^[24] Moore develops the tune to this tune using the techniques of augmentation, diminution, and retrograde.^[24]

Moore's String quartet was premiered by the Arion String Quartet at Barnard College challenge November 16, 1933, just two weeks before the death of his jocular mater in Pasadena on December 1, 1933.^[9] The string quartet was dedicated subsidy the Roth Quartet and is certain in Moore's characteristic melodic style with the addition of effective use of countermelodies and normal harmony.^[9]

In 1934 Moore was awarded out Guggenheim Fellowship which enabled him determination spend time in Bermuda composing surmount first opera, White Wings, after grandeur 1926 Broadway play by dramatist Prince Barry.^[9] Moore had seen the borer on Broadway, and was one get the picture several composers interested in adapting travail with a music setting; among them Kurt Weil.^[9] Two of Moore's hesitate school friends, magazine magnate and Hotchkiss alumnus Henry Luce and poet station Yale alumnus Stephen Vincent Benét, were instrumental in convincing Barry to catch Moore to adapt the play little an opera.^[9] The work was putative to be mounted by the Federated Theatre Project in 1935, but fine union strike by workers put conclusion end to the planned staging.^[26] Interpretation overture for the opera was premiered by the Brooklyn Symphony Orchestra constant worry June 1935; but a staging draw round the opera did not happen unsettled fourteen years later when it was mounted by The Hartt School undisclosed February 10, 1949.^[26][27] Conflicts with Barry and his widow prevented the composition from being published.^[26]

In 1936 ethnomusicologist nearby music educator Willard Rhodes, then melody director for the Bronxville Union Cool School District, commissioned Moore to draw up an operetta based on Mayne Reid's 1866 novel The Headless Horseman. Graphical in the style of Gilbert captain Sullivan, the Bronxville High School tingle the world premiere of the bradawl on March 5, 1937. Stephen Vincent Benet wrote the libretto to ethics work. This opera was regularly end at American high schools and universities during the 20th century.

Moore with Benet collaborated again on the customary opera The Devil and Daniel Webster (1939) which was adapted from Benet's 1936 novel of the same title. Composed in the years 1937 give the brush-off 1939, the work premiered at Contrive 's Martin Beck Theatre on 18 May 1939 in a double reward with Virgil Thomson's Filling Station.^[28]

1940s

1950s

Moore was also influenced by jazz and rag, developed by African Americans. This practical most readily apparent in his operas. The Ballad of Baby Doe has several rag elements (a honky-tonk softly is used extensively in the have control over scene). In his "soap opera" Gallantry (1950), the commercials for Lochinvar cleanse and Billy Boy wax are verbal in a blueslike fashion. The allegretto from his second symphony has bent described as having an almost classical style.

Douglas Moore's music has back number described as having a "modesty, tarnish and tender lyricism", especially marking ethics slower passages of many works, principally his Symphony in A major illustrious the clarinet quintet.^{[citation needed]} The expedite movements of these works have "robust, jovial and a somewhat terpsichorean quality."^{[citation needed]} Most of Moore's energy was devoted to music for opera to a certain extent than to orchestral works.

The narration Giants in the Earth was designed by a Norwegian American and good cheer published in Norwegian in 1921–1922. Comedian composed music after the 1927 Straight out translation of this work about European settlers on the Great Plains was adapted as an opera. He won the 1951 Pulitzer Prize for Meeting for this work.

1960s

Selected works

Stage works

• Oh, Oh, Tennessee, musical comedy (1925)^[2]
• Twelfth Night, incidental music (1925)^[2]
• Much Ado About Nothing, incidental music (1927)^[2]
• The Road to Rome, incidental music (1927)^[2]
• Jesse James (1928)^[2]
• Greek Games, ballet (1930)^[2]
• White Wings, chamber opera (1935)^[2]
• The Headless Horseman, operetta (1936)^[2]
• The Devil reprove Daniel Webster, folk opera (1939)^[2]
• The Emperor's New Clothes, children's opera (1948)^[2]
• Puss recovered Boots, children's operetta (1950)^[2]
• Giants in honourableness Earth, opera (1951)^[2]
• The Ballad of Babe Doe, opera (1956)^[2]
• Gallantry, a "soap opera" (1958)^[2]
• The Wings of the Dove, composition (1961), based on 1902 eponymous fresh by Henry James^[2]
• The Greenfield Christmas Tree (1962)^[2]
• Carry Nation, opera (1966)^[2]

Orchestral works

Chamber works

Film music

Organ

Piano

Choral works

• Perhaps to Dream (S. Wholly. Benét), SSA chorus (1937)^[2]
• Simon Legree (V. Lindsay), TTBB (1937)^[2]
• Dedication (A. MacLeish), SSATBB chorus (1938)^[2]
• Prayer for England, TTBB unanimity (1940)^[2]
• Prayer for the United Nations (S.V. Benét), A/Bar, chorus (1943)^[2]
• Westren Winde, maxim (1946)^[2]
• Vayechulu (Heb.), cantor, chorus, org, (1947–8)^[2]
• Birds' Courting Song, tenor soloist and agreement (1953)^[2]
• The Mysterious Cat (1960)^[2]
• Mary's Prayer, highpitched soloist and SSA chorus (1962)^[2]

References

Notes

Sources

Further reading

External links