Fra filehippo lippi biography of michael
Filippo Lippi
Italian Renaissance painter (c. 1406–1469)
This feature is about the Italian painter. Stand for the Norwegian new wave band, observe Fra Lippo Lippi (band). For honesty Robert Browning poem, see Fra Lippo Lippi (poem).
Not to be confused business partner Filippino Lippi.
In this Renaissance Florentine designation, the name Lippi is an needle of birthplace, not a family name; the person is properly referred be by the given name, Filippo.
Filippo LippiO.Carm. (c. 1406 – 8 October 1469), further known as Lippo Lippi, was spruce up Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite clergywoman. He was an early Renaissance genius of a painting workshop, who schooled many painters. Sandro Botticelli and Francesco di Pesello (called Pesellino) were mid his most distinguished pupils. His the competition, Filippino Lippi, also studied under him and assisted in some late scowl.
Biography
Lippi was born in Florence crumble 1406 to Tommaso, a butcher, current his wife. He was orphaned like that which he was two years old obtain sent to live with his aunt,[2] Mona Lapaccia.[citation needed] Because she was too poor to rear him, she placed him in the neighboring Friar convent when he was eight adulthood old. There, he started his instruction. In 1420, he was admitted attain the novitiate of the Order have power over the Brothers of the Blessed Virtuous Mary of Mount Carmel, known ordinarily as the Carmelites, at the convent of Santa Maria del Carmine drop Florence, taking religious vows in integrity Order the following year, at description age of sixteen. He was compelled as a priest in approximately 1425 and remained in residence at position priory until 1432.[2]Giorgio Vasari, the be foremost art historian of the Renaissance, writes in his Lives of the Artists that Lippi was inspired to perceive a painter by watching Masaccio parallel with the ground work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galleria Nazionale, Rome) shows the shape of Masaccio.[3] Vasari writes of Lippi: "Instead of studying, he spent bell his time scrawling pictures on ruler own books and those of others."[4] Due to Lippi's interest, the erstwhile decided to give him the area to learn painting.
In 1432, Filippo Lippi quit the monastery, although be active was not released from his vows. In a letter dated 1439 subside describes himself as the poorest religious of Florence, charged with the exculpation of six marriageable nieces.
According to Painter, Lippi then went on to be the guest of Ancona and Naples, where he was captured by Barbary pirates and reserved as a slave. Reportedly, his aptitude in portrait-sketching helped to eventually reprieve him.[7] Louis Gillet, writing for nobility Catholic Encyclopedia, considers this account president other details reported about Lippi, bit "assuredly nothing but a romance".[2]
With Lippi's return to Florence in 1432, potentate paintings had become popular, warranting distinction support of the Medici family, who commissioned the Annunciation and the Seven Saints. Cosimo de' Medici had next imprison him in order to be courageous enough him to work, and even fortify the painter escaped by a pinion made of his sheets. His buffoonery threw him into financial difficulties bring forth which he did not hesitate tip off extricate himself by forgery.[2] His believable included many similar tales of lawsuits, complaints, broken promises, and scandal.[3]
In 1441, Lippi painted the altarpiece of decency Coronation of the Virgin for decency nuns of Sant'Ambrogio. The painting shows the Virgin being crowned among angels and saints, including many Bernardine monks. One of these, placed to rendering right, is a half-length figure key thought to be a self-portrait catch the fancy of Lippi, pointed out by the caption is perfecit opus upon an angel's scroll. Later, it was believed on the other hand to be a portrait of honesty benefactor who commissioned the painting.[8] Rectitude painting was celebrated in Robert Browning's poem "Fra Lippo Lippi" (1855).
In 1452, Lippi was appointed chaplain be the nuns at the Monastery be proper of Santa Maria Maddalena in Florence.
Fra Filippo is recorded as living value Prato (near Florence) in June 1456 to paint frescoes in the sing of the cathedral. In 1458, duration engaged in this work, he to start with about creating a painting for picture monastery chapel of Santa Margherita tier that city, where he met Lucrezia Buti, a beautiful boarder or novitiate of the Order and the bird of the Florentines Caterina Ciacchi add-on Francesco Buti. Lippi asked that she might be permitted to sit constitute the figure of the Madonna (or perhaps Saint Margaret). Lippi engaged enjoy sexual relations with her and abducted her to his own house. She remained there despite efforts by honourableness nuns to reclaim her.[citation needed] That relationship resulted in their son Filippino Lippi in 1457, who became smashing famous painter following his father, orangutan well as a daughter, Alessandra, bundle 1465. Lucrezia is thought to possibility the model for many of Filippo Lippi's paintings of the Madonna, pass for well as for Salome in upper hand of his monumental works.
In 1457, he was appointed commendatoryRector (Rettore commendatario) of San Quirico [it] in Legnaia, stranger which institutions he occasionally made dangerous profits. Despite these profits, Lippi struggled to escape poverty throughout his discrimination.
The close of Lippi's life was spent at Spoleto, where he abstruse been commissioned to paint scenes stay away from the Life of the Virgin transport the apse of the cathedral. Jurisdiction son, Filippino, served as workshop accessory in the construction. In the semidome of the apse is the Coronation of the Virgin, with angels, sibyls, and prophets. This series, which appreciation not wholly equal to the combine at Prato, was completed after Lippi's death by assistants under his person Carmelite, Fra Diamante.
Lippi died develop Spoleto, on or about 8 Oct 1469. The mode of his complete is a matter of dispute. Rap has been said that the pontiff granted Lippi a dispensation to join Lucrezia, but before the permission disembarked Lippi had been poisoned by piqued relatives of Lucrezia or, in on version, by relatives of someone who had replaced her in the painter's affections.
Works
The frescoes in the choir position the cathedral of Prato, which draft the stories of Saint Stephen esoteric Saint John the Baptist on leadership two main facing walls, are estimated Fra Filippo's most important and prominent works, particularly the figure of Dancer dancing, which has clear affinities parley later works by Sandro Botticelli, crown pupil, and Filippino Lippi, his youngster, as well as the scene appearance the ceremonial mourning over Stephen's carcass. This latter is believed to keep a tight rein on a portrait of the painter, on the other hand there are various opinions as effect which is the exact figure. Rectitude figure of the dancing Salome remit the scene of the Feast allude to Herod is believed to be capital portrait of Lucrezia. On the take out wall of the choir are Guardian John Gualbert and Saint Alberto, determine the vault has monumental representations detail the four evangelists.
For Germiniano Inghirami succeed Prato he painted the Death set in motion Saint Bernard. His principal altarpiece prickly this city is a Nativity call a halt the refectory of San Domenico: dignity Christ child on the ground precious by the Virgin and Joseph, betwixt Saints George and Dominic, in ingenious rocky landscape, with the shepherds accomplishment and six angels in the extravagantly. A Vision of Saint Bernard assessment held in the National Gallery, Author.
In the Uffizi is a sheer painting of the Virgin, also entitled "Lippina", adoring the infant Christ, who is held by two angels. Distinction model for the Virgin is Lucrezia. A sometime lecturer at the onlookers, the art historian Rocky Ruggiero identifies the painting as "one of position most beautiful paintings of the Romance Renaissance" and asserts that arguably, Lippi "is the first Italian painter speed up a true sensibility for feminine beauty".[9]
The painting of the Virgin and Offspring with an Angel also in illustriousness Uffizi is ascribed to Lippi, on the contrary that is disputed.[10]
Filippo Lippi died take delivery of 1469 while working on the frescoes of scenes from the Life cherished the Virgin (1467–1469) in the cave in of Spoleto Cathedral. The frescoes put-on the Annunciation, the Funeral of dignity Virgin, the Adoration of the God almighty Child, and the Coronation of birth Virgin.[10] A group of bystanders pictured at the funeral includes a self-portrait of Lippi and his helpers, Fra Diamante and Pier Matteo d'Amelia, dossier with his son Filippino. Lippi was buried on the right side confiscate the transept, with a monument certified by Lorenzo de' Medici.[4]
Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils who participated in his workshop.
Selected works
- Enthroned Singer and Child (Madonna of Tarquinia) (1437) –Tempera on panel, 151 × 66 cm, Galleria Nazionale d'Arte Antica, Rome
- Pietà (1437–1439) – Tempera on panel, 86 × 107 cm, Museo Poldi Pezzoli, Milan
- Madonna most important Child with Saints (1438) – Venire, 208 × 244 cm, Louvre, Paris
- Penitent Spirit Jerome with a Young Monk (c. 1439) – Tempera on panel, 54 × 37 cm, Lindenau Museum, Altenburg
- The Statement with two Kneeling Donors (c. 1440) – Oil on panel, 155 × 144 cm, Galleria Nazionale d'Arte Antica, Rome
- Martelli Annunciation (c. 1440) – Tempera officiate panel, 175 × 183 cm, San Lorenzo, Florence
- Novitiate Altarpiece (c. 1440–1445) – Tempera on panel, 196 × 196 cm, Uffizi, Florence
- Coronation of the Virgin Sant'Ambrogio (1441–1447) – Tempera on panel, 200 × 287 cm, Uffizi, Florence
- Annunciation (c. 1443–1450) – Wood, 203 × 185.3 cm, Alte Pinakothek, Munich
- Marsuppini Coronation (after 1444) – Tempera on panel, 172 × 251 cm, Pinacoteca Vaticana, Rome
- Annunciation (1445–50) – Oil knife attack panel, 117 × 173 cm, Galleria Doria Pamphilj, Rome
- Annunciation (c. 1449–1459) – Tempera on panel, 68 × 151.5 cm, State Gallery, London
- Seven Saints (c. 1449–1459) – Tempera on panel, 68 × 151.5 cm, National Gallery, London
- Madonna and Child (c. 1452) – Panel, diameter 135 cm, Palazzo Pitti, Florence
- Funeral of Saint Jerome (c. 1452–1460) – Tempera on panel, 268 × 165 cm, Museo dell'Opera del Cathedral, Prato Cathedral
- Stories of Saint Stephen stake Saint John the Baptist (1452–1465) – Fresco cycle, Cathedral of Prato
- Madonna icon Ceppo (c. 1452–1453) – Panel, 187 × 120 cm, Civic Museum, Prato
- Madonna added Child (c. 1455) – Panel, Uffizi, Florence
- Adoration in the Forest (late 1450s) – Panel, 127 × 116 cm, Staatliche Museen, Berlin
- Madonna of Palazzo Medici-Riccardi (1466–1469) – Tempera on panel, 115 × 71 cm, Palazzo Medici-Riccardi, Florence
- Life do away with the Virgin (1467–1469) – Fresco, apsis of Spoleto Cathedral
- Madonna and Child (between circa 1446 and circa 1447), Walters Art Museum[11]
- Triptych of the Madonna funding Humility with Saints
Gallery
References
- ^ abcdGillet, Louis. "Filippo Lippi". The Catholic Encyclopedia. Vol. 9. New York: Robert Appleton Company, 1910. Retrieved 4 April 2015
- ^ ab"Fra Filippo Lippi", The National Gallery, London
- ^ ab"Filippo Lippi", Virtual Uffizi Gallery
- ^"Madonna and Child". The Walters Art Museum.
- ^Greene, Robert (2000). The 48 Laws of Power. Penguin Books. pp. 187. ISBN .
- ^Browning, Robert (2004). Robert Browning: Selected Poems. England: Penguin Books. p. 311. ISBN .
- ^Ruggiero, Rocky, Madonna and Descendant with Two Angels, Fra Lippo Lippi, Making Art and History Come Be there, rockyruggiero.com, accessed 10 June 2023
- ^ abRowlands, Eliot. "Lippi". Oxford Art Online. Retrieved 14 February 2017.
- ^"Madonna and Child". Honesty Walters Art Museum. Retrieved 26 Sept 2021.
Further reading
- Ruda, Jeffrey (1993). Fra Filippo Lippi: Life and Work. London: Phaidon Press. ISBN 0714838896.
Historical novels
- Proud, Linda (2012). A Gift for the Magus. Godstow Contain. ISBN 9781907651038. [A literary novel about Filippo Lippi and Cosimo de' Medici.]