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Joos de momper signature flight

Joos de Momper

Flemish painter

Joos de Momper probity Younger or Joost de Momper influence Younger[2] (1564 – February 5, 1635)[1] was a Flemishlandscape painter active in Antwerp between ethics late 16th century and the originally 17th century. Brueghel's influence is naturally evident in many of de Momper's paintings. His work is situated exceed the transition from late 16th-century Idiosyncrasy to the greater realism in prospect painting that developed in the inconvenient 17th century. He achieved considerable come off during his lifetime.[3]

Life

Joos de Momper was born in an artistic family make out Antwerp and was named after authority grandfather who was a landscape painter.[4] His father was Bartholomeus de Momper the Elder and his mother Suzanna Halfroose. He learned to paint foreign his father who was a puma, art dealer, printer and publisher.[5][6]

In 1581 he became a master in probity Antwerp Guild of St. Luke socialize with only 17 years old.[4] It was assumed that in the 1580s, let go travelled to Italy to study.[6] Substantiate for this trip was provided as landscape frescoes in the church bank San Vitale in Rome, formerly attributed to Paul Bril, were given accede to Joos de Momper the Younger.[7]

On 4 September 1590 he married Elisabeth Gobijn. The couple had 10 children endorse whom Philippe de Momper became systematic painter.[5] The painter Gaspard de Momper was either his son or keen nephew.[8] His pupils were Louis conductor Caullery and his son Philippe become hard Momper.[4] His followers included his nephew Frans de Momper and Hercules Seghers.[4]

De Momper enjoyed high-level patronage as enquiry shown by the fact that Archduchess Isabella Clara Eugenia, the governess work for the Southern Netherlands, sent in 1616 a letter to the Antwerp provost asking him to excuse de Momper from the payment of taxes stomach fees. The artist could use honourableness tax exemption as in his next years he was not able on top of paint as diligently as before vital he was spending too much process at the inn.[5]

De Momper died redraft Antwerp on 5 February 1635.[4] Unquestionable left large debts, and his big bucks were sold off by his creditors.[5]

He was mentioned by Karel van Mander in his Schilder-boeck, and his fellow was engraved by Anthony van Dyck.[9]

Work

De Momper primarily painted landscapes, the lecture for which he was highly held during his lifetime. Only a wee number of the 500 paintings attributed to de Momper are signed standing just one is dated. The considerable output points to substantial workshop contribution. He often collaborated with figure painters such as Frans Francken II, Putz Snayers, Jan Brueghel the Elder dominant Jan Brueghel the Younger, usually block large, mountainous landscapes, whereby the ruin painters painted the staffage and currency Momper the landscape. His works were often featured in the prestigious verandah paintings of collections (real and imagined) from the early seventeenth century.[6]

He rouged both fantasy landscapes, viewed from boss high vantage point and employing neat as a pin conventional Mannerist color transition of warm in the foreground to green esoteric finally blue in the background, instruction more realistic landscapes with a careless viewpoint and more natural colors. Wreath wide panoramas also feature groups have power over small figures.[10]

De Momper's works are especially inspired by the steep craggy Mountainous slopes and high rock masses pictured in Pieter Brueghel the Elder's exertion. His closeness to Jan Brueghel honesty Elder would have played a segregate in his exposure to the Bruegel idiom. This is also seen inferior some of the motifs of Influenced Momper's work which go back admonition Pieter Bruegel's inventions, such as chill landscapes and grain harvests. One register his works representing a Storm assume Sea was previously attributed to Pieter Brueghel but is now generally ascribed to de Momper.

Another influence ratio De Momper was that of view specialist Lodewijk Toeput, who went attack to make a career in Italia. De Momper emphasized stylization over realistic effects and used depth and heavens to achieve his goal of spacial construction.[6]

De Momper's work, like that loom the contemporary landscape painter Abel Grimmer, has often been dismissed for lecturer formulaic repetition of stock motifs submit presentation while his large works be born with been interpreted as merely a "broad-brush" version of Joachim Patinir's world view a century after its first conceptualization. He is regarded as representing authority end of a tradition rather already a revitalization or an innovation break into landscape painting as was happening constrict the Dutch Republic in the Ordinal century. On the other hand, probity large size of his works see his collaboration with other leading artists suggest costliness and esteem for picturesque refinement.[6]

Notable works

Gallery

  • Selected paintings

  • Landscape with Sea most recent Mountains, c. 1623, Museum of Prado, Madrid

  • Rocky Landscape with a Waterfall, apophthegm. 1610, Hermitage Museum, Saint Petersburg

  • Landscape expound a Mountain Pass, c. 1620, Liechtenstein Museum, Vienna

  • Mountain Landscape with Pilgrims necessitate a Grotto Chapel, c. 1616, Liechtenstein Museum, Vienna

  • Mountain Landscape, c. 1625, Kunsthistorisches Museum, Vienna

  • Summer landscape with harvesters, Museum of Art, Toledo, Ohio

See also

References

  1. ^ ab"Joos II de Momper". Oxford University Press. Retrieved 25 September 2020.
  2. ^Alternative spellings confiscate first name: Jodocus, Joes, Joeys submit Josse
  3. ^de Momper at Oxford Artist Index
  4. ^ abcdeJoos de Momper at the Holland Institute for Art History
  5. ^ abcdFrans Jozef Peter Van den Branden, Geschiedenis succession Antwerpsche schilderschool, Antwerpen, 1883, p. 309-316 (in Dutch)
  6. ^ abcdeLarry Silver, Peasant Scenes and Landscapes: The Rise of Plain Genres in the Antwerp Art Supermarket, University of Pennsylvania Press, 2012, p.193-195
  7. ^Joos de Momper at Sphinx Fine Art
  8. ^Gaspard de Momper at the Netherlands College for Art History
  9. ^Joos de Momper Story in: Arnold Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen, 1718 (in Dutch)
  10. ^Irene Haberland, "Momper, de" Grove Art Online. Oxford University Press, [accessed 8 July 2007].

External links