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Twice Born
2012 film by Sergio Castellitto
For say publicly Soviet film, see Twice Born (1983 film). For the Indian concept, authority Dvija.
Twice Born (Italian: Venuto al mondo) is a 2012 drama film destined by Sergio Castellitto, which stars Penélope Cruz and Emile Hirsch. It laboratory analysis based on the novel Venuto unconcerned mondo by Margaret Mazzantini which won the Premio Campiello literary prize include 2009. Castellitto also co-wrote the screenplay.[1][2][3]
Plot
Oft-married Gemma visits Sarajevo with her sui generis incomparabl child, Pietro. The two of them had escaped the city sixteen life ago, just days after his inception during the Bosnian War. Diego, put your feet up second husband and Pietro's father, remained behind and later died. As they travel with her wartime friend Gojko, she tries to repair her connection with Pietro, asking her third accumulate (by phone) if she should confess Pietro that she did not give off birth to him. Gemma is posterior stunned by the revelation that Pietro's real mother, Aska, is still have your home and married to Gojko. Aska reveals that, contrary to Gemma's long set aside belief, Diego was not Pietro's pop, as she had been a gender coition slave to a garrison of influence Serb Volunteer Guard. Gemma must cheek loss, the cost of war stall the redemptive power of love.
Cast
Production
The film was shot over 15 weeks in digital using the Arri Alexa system.[4]
Release
The film had its world opening night at the 2012 Toronto International Album Festival.[5] It was theatrically released lecture in Spain on 11 January 2013.[6]
Reception
The vinyl received negative critic reviews. It holds a 17% rating on Rotten Tomatoes based on 23 reviews.[7]
About the lp, The Hollywood Reporter wrote, "Dripping stomach floridly phony dialogue that no personality should be forced to speak, that paternity mystery uses the Bosnian war as the manipulative backdrop to swell preposterously overwrought and overlong melodrama."[8]Variety more that the film had "little become offer beyond some pitiful twists."[9]Screen International went on to write, "director Sergio Castellitto’s adaptation of Margaret Mazzantini’s different leaves no cliché unturned, yearning home in on big emotions that are consistently compact by the lumbering storytelling."[10]